Showing posts with label Masculin Masculin. Show all posts
Showing posts with label Masculin Masculin. Show all posts

Wednesday, June 25, 2014

The male nude in art exhibitions : Masculin Masculin (2) and the Faune Barberini

Another male nude sculpture, very sensual, that was displayed at the 'Masculin Masculin' exhibition held in Paris earlier this year is the Barberini faun. It is a life-size marble statue also called the Drunken Satyr, sculpted during the 3rd century BC. This statue can be seen in Munich, Germany, at the Glyptothek (from Greek, it means a coffer of engraved works) Museum, which gathers 1000 years of Roman and Greek sculpture.

Barberini Faun, Glyptothek Munich, Germany. 
                          
This sculpture was found in the 1620s below the Castel San Angelo in Rome, which in Antiquity had been Hadrian's Mausoleum. Work on the fortification was undertaken by the Barberini Pope Urban VIII in 1624. The sculpture made its first documented appearance in a receipt for its restoration, 6 June 1628, when it already belonged to the Pope's nephew, Cardinal Francesco Barberini.



The statue was quite damaged when it was discovered, so lots of restoration works took place. The final result gives a strong sexual feeling, showing at first a naked muscular young man, sleeping or more precisely recovering like after a party and the statue is now considered an example of erotic art. Some says that Bernini, who took part in the restoration process, reinforced that aspect!


It is actually a 'faun' : the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Indeed, on his back, there is a little animal tail, and on his head an ivy crown.

Detail showing the 'tail'
Nudity in Greek art was very common. And this faun was reproduced on a Nymphenburg palace porcelain service in the 1830s. And also housed in the Palazzo Barberini in Rome.



Later on it was sold (in 1799), to the sculptor and restorer Vincenzo Pacetti, who tried to sell it to English and French collectors such as Lucien Bonaparte. But the Barberini succeeded to cancel the sale. Eventually it was sold to Ludwig, Prince of Bavaria, who had planned a special room in the Glyptothek, before the purchase was even finalized! The Glyptothek opened in 1830 to house Ludwig's sculpture collection.


A marble copy was sculpted by Edmé Bouchardon at the French academy in Rome in 1726.  And in 1775 the Duc de Chartres bought it for his elaborate garden plan at Parc Monceau. Then it went to the Parc de St Cloud, later to the Jardins du Luxembourg. Currently the sculpture is displayed at the Louvre Museum.
Marble copy by Edmé Bouchardon - 1726 - Louvre Museum, Paris
Another copy by sculptor Eugène-Louis Lequesne was given to France in 1846. It is now located in the École nationale supérieure des Beaux-Arts (ENSBA).


A video showing and explaining the original sculpture can be seen here.

Sources : Wikipédia, Louvre Museum, Glyptothek, Orsay Museum.

Wednesday, June 4, 2014

The nude man in art exhibitions (1) : 'Masculin Masculin' with 'Mercury inventing the caduceus'

We thought it would be interesting to show a few sculptures from exhibitions focussing on the male nude in art. Todays' sculpture was displayed during the 'Masculin Masculin' exhibition held recently in Paris (Sep 2013 - Feb 2014) at the Orsay Museum. Approximately 20 male nude sculptures were selected by the curator/director Guy Cogeval and his team (together with 180 other art pièces mainly paintings and photographs). The period ranged from 1800 until today.


Among them, for today, I selected 'Mercury Inventing the Caduceus' done by Jean-Antoine-Marie Idrac in 1878.  This French sculptor is born in Toulouse in 1849 and died early, in 1884 of typhus. He studied under Alexandre Falguière and also Pierre-Jules Cavelier. He won the famous Prix de Rome in 1873. He also exhibited at the Salon from 1877, and got a first class medal two years later for our selected marble sculpture.

 
This large marble piece was sculpted in Rome, Italy, in 1878. Several years later, in 1886, a copy in bronze was casted, which was displayed at the Exposition Universelle (World Fair) of 1900 in Paris(and today in Toulouse, at the Musée des Augustins).

 
 

One of the other curators of the 'Masculin Masculin' exhibition, Xavier Rey, stated that male nude anatomy and study was extremely important for every artist training. With some humour trait, Guy Cogeval added that this sculpture shows probably the cutest buttocks of the museum!
Indeed, several of this exhibition's sculptures and paintings contain a clear homoerotic aspect. And part of the exhibition is specially focussed on the male as an object of desire.
 
 
Why ' inventing the Caduceus ' ? The mythology has many stories about this! One reports that Mercury wanted to find a symbol for his role as the god of healing and messenger of the gods. He received a gold stick from Apollon. Later on, seeing two snakes fighting, he throw his gold stick towards them, the snakes curled around the stick and stopped fighting.
The serpent-coiled staff, or caduceus, is sometimes illustrated with wings at the top end to match Mercury’s winged helmet.

 

Some sources, videos and links:

Video about 'Masculin Masculin' exhibition (in French with English subtitles)
Other video about this exhibition showing some master pièces.
Orsay Museum website
Article in French in the 'Tribune de l'Art' website